Feb. 19th, 2013

readallthenewberys: animated gif of Snoopy writing a story with multiple strange subplots (Default)
[personal profile] justice_turtle
...unless I forget it's Monday, oops. ;S

Summary: cut for spoilers )

Reaction: The use of language in this book is amazing; Elizabeth Coatsworth was a poet, and she does exactly what she wants with every word. I can't speak to the accuracy of the Buddhist stories which make up most of the book, nor to the realism of the portrayal of Japanese culture at whatever time this book is set, but the fairy-tale atmosphere is perfect, and as far as I can tell, there is absolutely no exoticization of anything at all. The tone of the book is very much "here is a story" which just happens to be a non-Eurocentric story without assuming explicitly, as so many (oh lord so many) of these books do, that the listeners are going to be of Euramerican background and here is a Strange Exotic Story of exoticness *blargh*.

There is the one rather awkward East-West patch job shown in the title, that cats are repeatedly stated to be "barred from Heaven", "have the gates of Paradise shut in their face", and other such usages, while the concept of Nirvana as... not being a place you go to?... is not brought up at all. And I may be missing other similar problems through my almost complete unfamiliarity with Buddhism. But as a story that completely ignores the existence of white people on several levels, and also as a very good story by any objective metric, and also as a prose-poem of sorts and as the first "short chapter book" I've encountered in this project, this is an AWESOME and extremely notable book.

I haven't even touched on misogyny - of which there is none, and very little even of disparity between the treatment of male and female characters. And though I've focused so much on the bad things this book lacks, it also has good things in abundance. The set-up of possibly-unfamiliar concepts is perfectly done, the middle few chapters are a series of briefly retold stories about the lives (life?) of the Buddha which tie in neatly to the main story about the artist and the cat, and the ending... even though it should be completely predictable to one who knows the tropes of children's literature... still made me sniffle, because of how well it's told.

Conclusion: Five stars. I would place this above Golden Fleece, the only other five-star book so far. I haven't read Ms Coatsworth's oeuvre in so long that I can't give any further reading recs here, but I'm definitely adding her other books to The List.
readallthenewberys: animated gif of Snoopy writing a story with multiple strange subplots (Default)
[personal profile] justice_turtle
Summary: spoilers )

Reaction: Uh, it's... very, very slow-moving. It reminds me a bit of Albert Payson Terhune's Lad: A Dog books sometimes, with its careful focus on realism and the wisest way to train pigeons (Terhune was a collie breeder with strong opinions on the treatment of dogs; I can't find out how serious a pigeon fancier Mukerji was), but at other times it's very much more like the stories of Thornton Burgess ("Old Mother West Wind", "Jimmy Skunk", etc), with the way it ascribes a slightly awkward combination of totally human emotions and pointedly non-human "perceptive outsider" understanding to the animals, in order to make its points. Overall, I think the only coherent tone it has is "inner peace is Important and here are the Buddhist(?) principles of peace and love and unfearfulness you ought to follow". It does, however, take that tone really solidly.

Conclusion: Three stars. I didn't hate it, weird though it was in places; I didn't love it. I think Mukerji's style, very Indian though the book was (as all Newberys must be) originally published in English, is so unfamiliar to me that I was never really going to appreciate its good points properly, but it does seem to have a good many of them.

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