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[personal profile] justice_turtle
Summary: Retells in English the life story of Fionn mac Cumhall, one of Ireland's great mythic heroes, and of his comrades the Fianna, from Fionn's boyhood through to his old age.

Reaction: Ella Young, like Padraic Colum, was a member of the Gaelic Revival and Celtic Revival movements in the early 20th century. Like Padraic Colum, she is an AMAZING writer in her field -- incredibly talented at use of language and at structuring a retelling so a reader without background knowledge can follow it and find it fascinating.

Conclusion: Five stars. Highly recommended for anyone with any interest whatever in Ireland, Irish mythology and legend, or good writing.
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: The most heteronormative possible treatment of a set of cultural customs with a LOT of potential for questioning gender relationships. about spoilers )

(I use past-tense verbs because the Communist takeover of Albania included efforts at eradicating gender oppression, and I don't know the current situation very accurately.)

And it's treated of in a GAAAH ) and none of the gender oppression stuff is questioned at all, just treated as an integral part of the structure of the story. Which is one way to handle writing about oppressive cultures, but I VERY VERY STRONGLY judge Ms Miller's choice to write this particular narrative (rather than, say, spoilers )). :P

Also, it's an incredibly slow book, laden down with exhaustive detail about Albanian rural life of the (unstated) time period. And due to a couple of odd wordings about a festival Mass, I don't even know how much I trust the author's research. O_O

Also also, in the spot where changing one attribution would have made Pran the first female Newbery protagonist to have agency - just letting her, instead of her boyfriend, suggest that she go have an effect on the plot ), and then just not having her GO ALL WIBBLY AND UNSURE ABOUT IT! - she, well, doesn't. :P One word. I'd have given this book four stars (lopping off the fifth because it's slooooow) if that had been the case. :PPPPPP

Conclusion: One star. Because the use of language and the research is relatively good, but I'm so angry about how pointless it was to make our formerly quite assertive-seeming heroine into a wishy-washy catspaw of her beloved Man-Hero at that one spot. BLAAAAAAAGH.
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[personal profile] justice_turtle
Summary: Tells the story of one year in the life of teenage French orphan girl Marguerite "Maggie" Ledoux, indentured to an English-American family that settles in Maine in 1743.

Reaction: I like Maggie. I like a lot of the descriptions. The research is as thorough and accurate as I've come to expect from Rachel Field. I don't like the repeated emphasis on how out-of-place Marguerite is among the anti-French English settlers of the day, and I really don't like the... sudden realism, I guess: the one incident with a harshly unhappy ending in a book where almost everything turns out well. It's very like the twist in Hitty where spoilers for Hitty: Her First Hundred Years ) -- a relatively light, fluffy book at the start, with a sudden twist to the darker side of life. And this book's unhappy twist was really severely grim, involving spoiler; if this works right there should be another cut with warnings under this cut ); I'm glad I didn't read it as a kid. :-(

Conclusion: Two stars. It's well-written and well-researched, and I like some of the characters, but I don't like the book as a whole. I don't like the... feel of it, I guess. Call me unliterary, but I like fluff. ;P
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: I think I like this one maybe even a teeny bit better than Millions of Cats, since it doesn't have the slightly gruesome turn of that book, but keeps the Grimm's Fairy Tales feel and the truly glorious pen-and-ink artwork in double-page spreads. Babar artist Jean de Brunhoff pioneered the oversize picture book a child could "climb into", a few years after Millions of Cats and The Funny Thing came out, but I'll definitely argue in favor of Wanda Gág as a precursor of the same trend.

I also really enjoyed Bobo's gentle, genre-savvy sporking of the "sermonizing" type of child's picture book in one place. :D

Conclusion: Five stars. I wouldn't say this book should have won the Newbery over Hitty, but I'd definitely give it a Mock Pre-Caldecott for the year. ;-) (The actual Caldecott medal wouldn't be awarded till 1938.)
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[personal profile] justice_turtle
[Note: I'm planning to post Mondays and Thursdays for a while. Also, I have my laptop hooked up to a desktop monitor and it seems to be working okay.]

Summary: A fictionalized version of the year or so leading up to Vasco da Gama's 1497 voyage to India, seen through the eyes of the young Ferdinand Magellan and a highly fictionalized Jewish banker named Abel Zakuto.

Reaction: Oh, where to start? O_O I only got 13% of the way in before I gave up on this mix of bad research and utter nonsense with a nice thick scoop of misogyny on top.

Every single thing that could be slanted to the glory of Western explorers has been slanted so. Every single reference to women in the book is derogatory and stereotyped. There are two female characters, but by the point I stopped, it hadn't passed the Bechdel test even by implication, because one of them didn't talk, even offscreen.

And as far as I can figure, the portrayal of the political situation in Portugal at that time was made up out of whole cloth... to the point that "Abel Zakuto" was made up as a separate character from real-life Portuguese Royal Astronomer Abraham Zacuto, and was given most of Abraham's true history and accomplishments, apparently just to separate "Sympathetic Hero Character" from "person who has any sympathy or respect for the Portuguese monarch"! O_O BECAUSE CONFLICT, that's why. If you don't have a villain, make one up! *sigh*

Conclusion: One star. Half because because Mrs Hewes has an enjoyably brisk writing style well-suited to adventure stories, and half because -- even though it wasn't actually meant to come across as a romance -- the budding gay teen romance between young Ferdinand Magellan and fictional character Nicolo Conti was adorably sappy and quasi-realistic.
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[personal profile] justice_turtle
Summary: The story takes place just after the American Revolution, and follows three protagonists - a shipyard owner's young heir, a fugitive French revolutionist, and a young sailor-lad - in their twin quests, first, to save a New England town's failing economy via the two-year voyage of a trading ship carrying trade goods ventured by all the townspeople, and second, to discredit the traitorous townsman who SABOTAGED the economy out of jealousy for the shipyard owner! ...yes, it really is presented as that Dramatic, and that easily fixed.

Reaction: I may have just plain grown out of Cornelia Meigs's writing style, but everything in this book just felt so obvious to me. Sympathize with this character! Don't sympathize with that character! Here's foreshadowing for the ENTIRE PLOT! Everything will be fixed in the end when this one Bad Person gets his just desserts! :P Not to mention all the weird segments of racism and classism scattered throughout. :-(

I'm... I know I've never liked her "boys' books" as well as her "girls' books", but I'm really starting to wonder if any of her books are as good as I thought. I'm still going to have The Covered Bridge on the Mock Newberys list, even though it'll be an interlibrary loan, because I seem to recall that being a really good book, but -- I'm revising my expectations downward. :P Which is sad.

Conclusion: No stars. I feel like I've been giving out zero stars a lot, but actually this just brings "zero" up to par with "one", "four", and "five", at five books each. And there was really nothing in the part of this book I read that I would give a star for.
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: On the one hand, I was really epically impressed by the amount of detail research the author obviously did, and by the light hand with which she distributed the details to draw a clean, memorable picture. I was also massively impressed by the illustrator, Harrie Wood (definitely not the Australian civil servant), who did a full-page illustration in period style for the beginning of each chapter.

On the other hand, after a rather hopeful first chapter or two with spoilers ), the writing kind of devolved into "sympathize with THIS side!", and every single time it was the whiter side. (Except I don't know about spoilery conflict ). Was there a whiter side in that one?) Every time. I quit on the chapter about spoilery name ) the Muslim pirate, because the writing was all about how he was EVILLY EVIL and really he was a pretty cool guy. He just did his pirating at Europeans instead of at brown people, like proper European pirates do. *end ALL THE SNARK*

I learned a massive amount from all the Wiki-searching I did to check things this book was saying, though. It was packed chock-full of references to historical events and characters I'd never heard of before. I wouldn't have wanted to read it pre-Google - there wasn't quite enough background provided to help check anything - but I enjoyed it as it stood.

Conclusion: Three stars, out of five possible. It wasn't bad, it just could have been so much better, and all it would have taken is some more balanced writing. It came so close.
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[personal profile] justice_turtle
Summary: A collection of eighteen short stories and poems, previously published separately in a children's magazine, here gathered as a book and illustrated with 200 silhouettes by the author.

Reaction: Humor is a very subjective thing. Let's just put that out there. Me, for instance, I've never heard a Joss Whedon joke I unequivocally liked, but 99%1 of geeks seem to think he's the last word in humorous adventure writing.

1: 55% of all statistics are made up on the spot - including these. ;-)

So it's hard to criticize a book like this whose only stated purpose is humor. But, well, I didn't like it. I only managed to get through the first two stories, one of which was a long poem set in a "China" which only resembled any historical or traditional version of China in that the men wore their hair in braided pigtails and the women had tiny bound feet -- oh, and one character was a mandarin. ;P The other story was about a Caliph of Definitely-Not-Baghdad (this does not seem to refer to a Caliph in the specifically religious sense, the leader of a whole sect of Islamic worshippers, but to a more-or-less secular ruler of a city) who buys a clock from a Yankee con man in order that Mr John Bennett may try to write a parable on Daylight Savings Time, and fail miserably. You don't spork DST by ignoring how it actually works.

And the inherent racism in having a city full of "laughable" brown people conned by a Yankee deus-ex-machina, which left a bad taste in my mouth by itself, is followed up - in a later story (I flipped forward) about the same fictional Caliph - by an entire court of Persian astronomers and mathematicians who didn't know the earth was round. :P On which I gave up.

Conclusion: One star. I'm really tired of giving no stars to book after book, and this one's illustrations are impressively detailed and lively for silhouette-work, even though I am well prejudiced against them because of the offensive subject-matter: they started with a Chinese laundryman using his queue or pigtail as a clothesline, and didn't get any better. :P

I don't know if Mr John Bennett's older book Master Skylark, set in Shakespeare's England, is any good, but you can read it from Project Gutenberg at that link if you want a sample of his writing. ;S Like I say, humor is subjective, and he might not be as racist in Elizabethan England.
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: Was... was this an experiment of some sort? Was Ms Montgomery trying to see how much irrational behavior by everybody involved she could fit into a Girls' Story? Or how much gratuitous emo!whumping it would take to make us keep sympathizing with a thoroughly dislikable protagonist surrounded by even more dislikable antagonists? WHAT IS THIS BOOK, Ms Montgomery? Was 1923 just a terrible year for children's books? I didn't expect much from Charles Boardman Hawes, but I know L.M. Montgomery could write. She just hasn't done it here. O_O

Nobody had a consistent personality. Nobody's actions made any sense. In the third of the book I managed to slog through, there was no humor and very little of the eerie or macabre - and LMM's pairing of humor and horror has always been her strongest point with me. The author kept protesting that Emily was mostly happy and mostly loved her life, but what we saw was UNRELENTING MISERY; not a speck of happiness was portrayed that did not get ruthlessly smashed in a predictable manner.

Had somebody in Ms Montgomery's life recently died? Wiki claims she suffered from depression; had she just plain run out of cheerful? Was the collapse of the post-WWI idealism bubble on which she floats Rilla of Ingleside (her previous book) getting her down? Did the demand for more stories cause her to pull out an old pre-Anne manuscript and not rewrite it sufficiently? (It reads a whole lot like the stories Anne is said to have written as a teenager, down to the heroine's raven-black hair and violet eyes.) WHAT HAPPENED?

Conclusion: No stars. I feel like I'm giving out the low ratings with a bit of a free hand here, but there was nothing in this book that I could hang a star on. Even the descriptions cloyed, and the one sympathetic character was a Magical Intellectually Disabled Person whose "disability" consisted solely of sassing at the over-serious characters, writing poetry, and occasionally going a bit psychic. I could have borne him as a 1920s portrayal of a high-functioning autistic person, but his "disability" was supposed to come from a bump on the head which materially changed his personality, and just... just, no. No.
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[personal profile] justice_turtle
Summary: A young Navajo1 boy grows up in the contemporary Southwest.

1: Please note: There is an ongoing controversy over whether the proper term is "Navajo Nation" or "Diné Nation". ("Tribe" is deprecated.) The current official name is "Navajo Nation"; in 1994, the Navajo National Council voted not to change it to "Diné Nation". I have chosen to use the current official name, "Navajo", here. I apologize for any offense given.

Reaction: The author was apparently one of the first white people to study Navajo customs and beliefs in depth, and the book's tone reflects that. In two different ways about which I feel conflicted -- first, the protagonist's worldview is drawn in remarkable and beautiful detail, with no narratorial condescension about his belief in magic or spirits, which I found very refreshing; second, the protagonist's local Navajo group is shown to be on very, very good terms with the white man who runs the local trading post, and this white man is deeply involved with some of the protagonist's practices and secrets, in a way that made me... a little uncomfortable, because it sometimes felt intrusive / not always quite respectful.

And I really, really, really had to wonder - the whole Navajo village is always portrayed as being fine with the stuff the white trader does, because they know he's a friend and helper and Genuinely Interested etc etc, and I just really had to wonder how much of that portrayal the Native people Mrs Armer interviewed would've agreed with. Were they all really fine with her knowing and writing about their customs and beliefs in such detail? Or did some, even most, consider her a nosy white woman and wish she'd go away? How much of her portrayal of the beloved white trader here is accurate, and how much is her trying to feel better about all the prying she does in the way of research?

I had a hard time deciding on a star rating for this book, because the parts where the white trader doesn't appear seem very respectful and just interested in letting readers know that this group of people the author genuinely loves are awesome people and here's what they are like and see they're totally sympathetic people and not savages or stupid; but then the white trader shows up and the whole tone shifts, and there's an awkward sort of "this guy is being portrayed as awesome and sympathetic and Totally Not Doing Anything At All Wrong, but he says things like 'these Indians will always...' and does things like throw an awkward Christmas party for the Native kids at the trading post?" feeling.

Conclusion: Three stars, I think.
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[personal profile] justice_turtle
Summary: A Southwestern Native American toddler gets lost in the desert, makes friends with a shepherd boy, and spends the rest of the book trying to find her family again.

Reaction: Oversimplified baby-talk narration, inaccurate representation of Navajo folktales, a protagonist of an unnamed tribe that is definitely not Navajo, and it takes ten pages for anything at all to happen? Plus bonus fat-shaming and chauvinism! Must be a 1920s Newbery, huh? *dry grin*

The setting showed fairly detailed research, but the "What tribe is she? Not Navajo! What tribe is she like? Navajo!" deal really made me eyeroll; it seemed like an excuse for sloppiness. I was reasonably impressed, though, by the existence of a subplot about a white man kidnapping Native children by government sanction to make them go to White-run boarding schools and forget their culture; I've never seen that historical fact addressed in any other work of fiction. Ever.

(I don't know if that says more about my reading than it does about the state of fiction.)

Conclusion: One star. For the boarding schools subplot.
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[personal profile] justice_turtle
Summary: In the English port town of Boston, Lincolnshire, near the beginning of the fifteenth century, three plots are getting started at once. One concerns a mysterious man who's been repeatedly sneaking into the town in different disguises; one concerns the master of customs, who has gotten (honestly) rich off export tariffs on English wool and sheepskin, but is now starting to act in favor of home industry and the expansion of England's sea power in defiance of the Hanseatic League with which he treats - all of which makes his colleagues on the town council mistrust him; and one concerns Tod of the Fens, a rogue japester, and his band of merry wastrels, who fish for their livings and befool their fellow man at every opportunity for fun. There's also a romantic subplot involving the customs master's teenage daughter. I won't spoil anything further for you. ^_^

Reaction: I was a bit dubious at first, as the book's front-loaded with a chapter full of research and set-up, and another one introducing Tod with, hm, a certain amount of confusion and obfuscation all round. But after that, things get moving at a good pace, and every one of the characters except the major villain (an evil pirate captain! :D) gets a well-rounded characterization... even the Scolding Housewife and the Noble Popinjay. This book is full of the BEST BANTER EVER - I swear, I wouldn't know Shakespeare hadn't written it if it weren't prose - as well as the BEST RESEARCH EVER. The 15th-century characterization is absolutely spot-on perfect in every particular, even to the casual belief in the supernatural with not one occurrence of "of course we 20th-century humanists know better". The clothing is perfectly accurate period, as are the ships, and the geography and even the wind directions are well researched. I can't swear to the political climate but I will lay odds it's perfect. ;-)

Plus, after their first chapter or so, the antics of Tod et alia are way less embarrassment-squicky than I had feared. The romantic subplot with the customs-master's daughter is wonderfully handled; the author works around the social necessity of arranging a marriage by letting the boy and girl meet first, and having them become fast friends so naturally that I squeed over their relationship every time they took the spotlight through the whole book. :D The town's politics and the way everyone's individual purposes interact are extremely well-drawn. And while the pirate company of Evil Germans are Evil, they're not opposed to a uniformly shining company of Englishmen (or Englishwomen), nor do they cause everything that goes wrong in the course of the book. In fact, they're a bit of a distraction. :-) And the goodness or reliability of the characters is not predicated on their social class, or even on their preoccupation with class status. In short - this has the least simplistic characterization and the least OMG 1920S I have yet seen in a Newbery, iirc. :D

Conclusion: Five stars. All in all, a truly remarkable book, and you should read it here posthaste if you have any interest in Merrie England with politics and banter and subplots and RESEARCH. :D (And if you're okay with a lot of "thou" and "shouldst", because the language is pretty accurate, at least compared to Malory. But I found it very readable. Admittedly I find Shakespeare very readable.)
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[personal profile] justice_turtle
Summary: spoilers )

Reaction: It's a fairy tale. Wanda Gág grew up on a German-speaking New England farm where Grimm's fairy tales were told regularly; when she grew up she did wonderful English translations of Grimm, but she also wrote and illustrated some excellent, high-quality fairy tales of her own. "Millions of Cats" is one. For very good reason, it's also the oldest American picture book still in print; Ms Gág's distinctive art is some of the best storytelling art, rather than merely supplemental art, I've ever seen. Every pre-reading toddler (except the ones who would be genuinely scared or upset by even this light treatment of the climactic spoiler ) incident - I've known, not to say been, kids like that) should have a board-book of this.

Conclusion: Five stars. I can't criticize Wanda Gág. It's like critiquing Richard Scarry or Dr Seuss. ^_^ MY CHILDHOOD, and objectively good enough to be a recommended part of other people's childhood too.
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: This is a book about unpleasant people having dysfunctional relationships while terrorizing themselves and each other with punitive religion. I don't like it.

(On a different note, this is the first book on the Newbery list to have a female protagonist. It's a shame she had to be this... painfully agency-lacking little thing whose entire character development, as far as I read, centered around being manipulated by A Boy. :P The really snarky part of me wants to say, no wonder this book was recently republished by a conservative Christian publishing house....)

Conclusion: Two stars, for the admittedly very good research and well-handled stream-of-consciousness emotional evocation. The characterization is actually quite realistic too, given the background of all the characters - it's an extremely accurate portrayal of the terribly strangling way over-structured religion causes people to beat themselves up. It's just, all of that seems to be considered a good thing. Including Dencey's drastic lack of agency. O_O
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[personal profile] justice_turtle
Summary: Tells the story of the Gubbaun Saor, the greatest builder in all Ireland or all the world, from the time he finds his trade until his death. Retold in English from traditional Irish folk tales collected by Ms Young.

Reaction: THIS IS SUCH A GOOD BOOK OKAY. The quality of the writing! The artwork! The way all the Gaelic or near-Gaelic words are explained just enough for the reader to understand them! And the way that, despite the male-centric title, all but the very first couple stories revolve in some large part around the cleverness of the Gubbaun's daughter Aunya - who is the cleverest woman in all of Irish folklore, and that is saying a very great deal. (And the incipient misogyny in the first part of the book, when the Gubbaun bewails having "only a daughter" to leave his cleverness to, is only there to make the story work, and is smacked down well and thoroughly as soon as may be.)

Conclusion: Five stars! :D *hugs book a lot* FIIIIIIIIVE. STAAAAAAAARS.

(Why are all the good ones out of print? I don't know! :P Why did "Gay-Neck" beat this? Well, maybe because it's about India, which is much rarer than being about Ireland. And it's not like "Gay-Neck" is badly written - just incredibly slow.)
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[personal profile] justice_turtle
Summary: cut for spoilers )

Reaction: also cut for spoilers )

Conclusion: Two stars. It has a clever plot with plenty of foreshadowing and twist reveals, hard to summarize in a sentence or two, and one of the female characters gets to save the lives of the two titular male heroes at one point. (Admittedly, by running to fetch male deus-ex-machina character spoilers ); it doesn't speak well to the general quality of adventure-stories that even this amount of agency for a young lady strikes me as very rare in adventure stories with a male main.) But its historicity runs to the dubious, and the levels of racism, classism, and especially ableism are really terrible.
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[personal profile] justice_turtle
Summary: Four unconnected short stories of children having fairy-tale-esque dreams. Very, very Hans Christian Andersen in tone.

Reaction: Story #1 seemed kind of unbalanced for the "happy" ending it was trying to have - it focused mainly on the princess's daytime unhappiness, with no prospect of anything changing in the future, and her only happiness occurring in dreams that are usually flattened the following day. The story ends on a dream, not a flattening, but it's hard to avoid the implication that the princess is in for more unhappiness after the story ends.

Story #2 was, I think, really the most realistic dream of the four. It was very neatly set up and didn't quiiiite make rational sense, but did make excellent dream-sense. I found the snowman's predicament upsetting (especially since he couldn't get anyone to listen to him, which admittedly is quite a normal childhood fear), and that again takes up a little more of the story than is quite balanced, but overall I'd say it's well worth reading.

Story #3 was eminently skippable - racist, moralistic, and just all-around WHAT ON EARTH IS GOING ON HERE. It's still quite reminiscent of Hans Christian Andersen, and I don't mean to imply any kind of plagiarism or anything offensive to either author when I mention The Nightingale specifically, but... it doesn't quite have the scope or panache that make The Nightingale memorable.

Story #4 was an excellent, excellent nature-personification story of the day; it should have been issued alone, with lavish full-color oil-painted illustrations in a Jessie Willcox Smith sort of style, and it should have been famous and should still be in print due to nostalgia. And it should definitely have taken the Newbery Medal over Tales from Silver Lands and Nicholas, A Manhattan Christmas Story.

But it didn't. In fact, the copyright was never even renewed, so now it's in the public domain. At least that means you can go read it here! :D Story #4 starts on Page 87, and Story #2 on page 29; there are internal links in the Table of Contents. All original illustrations are intact.

Conclusion: Four stars. I'd give it five, but story #3 was really pretty racist in a mild, unintentional, fairytale way that's (imo) kind of worse than intentional racism. :-( And there was just a tad bit of the same in story #1.
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[personal profile] justice_turtle
Summary: spoilers )

Reaction: Uh, it's... very, very slow-moving. It reminds me a bit of Albert Payson Terhune's Lad: A Dog books sometimes, with its careful focus on realism and the wisest way to train pigeons (Terhune was a collie breeder with strong opinions on the treatment of dogs; I can't find out how serious a pigeon fancier Mukerji was), but at other times it's very much more like the stories of Thornton Burgess ("Old Mother West Wind", "Jimmy Skunk", etc), with the way it ascribes a slightly awkward combination of totally human emotions and pointedly non-human "perceptive outsider" understanding to the animals, in order to make its points. Overall, I think the only coherent tone it has is "inner peace is Important and here are the Buddhist(?) principles of peace and love and unfearfulness you ought to follow". It does, however, take that tone really solidly.

Conclusion: Three stars. I didn't hate it, weird though it was in places; I didn't love it. I think Mukerji's style, very Indian though the book was (as all Newberys must be) originally published in English, is so unfamiliar to me that I was never really going to appreciate its good points properly, but it does seem to have a good many of them.
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[personal profile] justice_turtle
Summary: Short stories set in China, written by a native of Virginia, USA. It is unclear to me whether the author had been to China (as he claims in one story that he had) and collected folktales for inspiration, or whether (as Wiki asserts) they are simply "original creations". Okay, this review on the collaborative Newbery Project blog tells me that the closest Chrisman got to China was San Francisco's Chinatown, where he claimed to have gotten Chinese folktales from a shopkeeper with the aid of translators, and that Chrisman spoke no actual Chinese (of any dialect).

Reaction: OH JOHN RINGO ARTHUR CHRISMAN NO. AUGH. I got through four stories of the lot - a third of the book's length - and then STOPPED BECAUSE NO. Loads of cultural appropriation! Pidgin English! Blatant misogyny! Domestic violence as comedy! Everybody acting like idiots! MISOGYNY WAY MORE BLATANT THAN CHARLES BOARDMAN HAWES, and that's saying a bit.

Whyyyyyyyyyyyyy is this, this, one of the early Newberys that I have heard mentioned as Recommended For School and still in print? :P

Conclusion: No stars. Because I told him on the second page, domestic violence, blatant misogyny, racism, pidgin English )

So. Um. Yeah. I would like to state, this is a shame! He was really good at funny, catchy writing that kids would appreciate! He just also needed to have all his attempts at interacting with or referring to non-white-male-adult people BURNED WITH EVERLASTING FIRE. O_O
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[personal profile] justice_turtle
Summary: In the first half of the book, Prince Henry the Navigator gathers learned men and explorers to discuss the possibility of land across the ocean at a great banquet. We hear four main stories - Atlantis, Maelduin (I never heard of him before), St Brendan, and Leif Ericson. The second half of the book focuses mainly on Columbus, with a chapter on Ponce de Leon, one on the exploration of Virginia by the English, and an epilogue in which a young Martin Waldseemuller meets Amerigo Vespucci.

Reaction: Well, it's a good thing he titled it Legends And Histories. Given that qualification - it's a good book. Not quite up to Golden Fleece standards; it suffers a lot more from "then this happened, then that happened!", which I think is partly because the bits I recognize are very close translations of the original tales. The Leif Ericson chapter, especially, is just about as detailed (in a Padraic Colum writing style) as the translated-into-prose Vinland sagas that I read a few years back!

It is not entirely historical - not that I quite expected it to be. ;-) The Ponce de Leon chapter, of all things, was the one where I kept having to tell myself "it's a fairy-tale, sit back", because it's a lot more fantastical than some of the other chapters for the same time-period.

Conclusion: Four stars. I'd give it five, but by sticking so closely to the original European sources he chose, he very firmly sidesteps any questions about Spanish or English treatment of the First Nations peoples in the Americas. *frowny face* I'd like to be clear, he does try very hard to paint the First Nations people in a good light, and even gives some of their own names for places (as Guanahani for San Salvador / Watling Island) - but he also does not cast ANY shadows on Columbus and his ilk. For which I judge him. *judgey judge judge* *ilk ilk ilk* ;-)

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Read ALL the Newberys!

October 2014

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