Summary: In the English port town of Boston, Lincolnshire, near the beginning of the fifteenth century, three plots are getting started at once. One concerns a mysterious man who's been repeatedly sneaking into the town in different disguises; one concerns the master of customs, who has gotten (honestly) rich off export tariffs on English wool and sheepskin, but is now starting to act in favor of home industry and the expansion of England's sea power in defiance of the Hanseatic League with which he treats - all of which makes his colleagues on the town council mistrust him; and one concerns Tod of the Fens, a rogue japester, and his band of merry wastrels, who fish for their livings and befool their fellow man at every opportunity for fun. There's also a romantic subplot involving the customs master's teenage daughter. I won't spoil anything further for you. ^_^
Reaction: I was a bit dubious at first, as the book's front-loaded with a chapter full of research and set-up, and another one introducing Tod with, hm, a certain amount of confusion and obfuscation all round. But after that, things get moving at a good pace, and every one of the characters except the major villain (an evil pirate captain! :D) gets a well-rounded characterization... even the Scolding Housewife and the Noble Popinjay. This book is full of the BEST BANTER EVER - I swear, I wouldn't know Shakespeare hadn't written it if it weren't prose - as well as the BEST RESEARCH EVER. The 15th-century characterization is absolutely spot-on perfect in every particular, even to the casual belief in the supernatural with not one occurrence of "of course we 20th-century humanists know better". The
clothing is perfectly accurate period, as are the ships, and the geography and even the wind directions are well researched. I can't swear to the political climate but I will lay odds it's perfect. ;-)
Plus, after their first chapter or so, the antics of Tod et alia are way less embarrassment-squicky than I had feared. The romantic subplot with the customs-master's daughter is wonderfully handled; the author works around the social necessity of arranging a marriage by letting the boy and girl meet first, and having them become fast friends so naturally that I squeed over their relationship every time they took the spotlight through the whole book. :D The town's politics and the way everyone's individual purposes interact are extremely well-drawn. And while the pirate company of Evil Germans are Evil, they're not opposed to a uniformly shining company of Englishmen (or Englishwomen), nor do they cause everything that goes wrong in the course of the book. In fact, they're a bit of a distraction. :-) And the goodness or reliability of the characters is not predicated on their social class, or even on their preoccupation with class status. In short - this has the least simplistic characterization and the least OMG 1920S I have yet seen in a Newbery, iirc. :D
Conclusion: Five stars. All in all, a truly remarkable book, and you should
read it here posthaste if you have any interest in Merrie England with politics and banter and subplots and RESEARCH. :D (And if you're okay with a lot of "thou" and "shouldst", because the language is pretty accurate, at least compared to Malory. But I found it very readable. Admittedly I find Shakespeare very readable.)